Red Earth Aboriginal Art Large Wool Scarf
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Why choose a Mainie Aboriginal art merino wool scarf?
Exceptional Comfort and Versatility: Enjoy the luxurious softness of merino wool, perfect for keeping you warm in cold weather while remaining breathable and suitable for various climates. Its versatility allows you to style it in multiple ways, enhancing any outfit. | |
Unique and Meaningful Design: Stand out with a distinctive Aboriginal art scarf that adds a stylish touch to your wardrobe. By purchasing, you're supporting Indigenous artists and communities, helping to preserve and promote their rich cultural heritage. | |
Sustainable and Durable Fashion: Choose an eco-friendly option with merino wool, a renewable resource produced through sustainable practices. Invest in a durable scarf that will remain beautiful and functional for years to come. | |
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The Artwork Story Yarla Jukurrpa (Bush Potato Dreaming) – Cockatoo Creek Based on an original painting by emerging Warlpiri artist, Alicka Napanangka Brown, the Red Earth design depicts a place called Cockatoo Creek, that is located on the tribal homelands of the Warlpiri Aboriginal people in the remote Tanami Desert region of Central Australia. It is a place where the Warlpiri women dig for traditional foods, Yarla (bush potato) and Wapirti (bush carrot). |
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Artist details
In 2012, at the age of 14, Alicka began painting for Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu. She mainly paints her Grandmother’s Yanjirlpirri Jukurrpa (Star Dreaming) and her father’s Yarla Jukurrpa (Bush Potato Dreaming), stories that relate directly to the land, its features and the plants and animals that inhabit it. She began using traditional iconography but because of her love for pattern and colour she has developed an individualist style using pattern and design in a variety of contexts to depict her traditional jukurrpa. Alicka attended the local Yuendumu school. When she finished school, she devoted all her time to painting. |
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